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Plot Overview:
Ankur Chaddha (Arjun Kapoor), still emotionally bruised from a messy divorce, finds love again with his college crush, Antara Khanna (Rakul Preet Singh). Just as the couple is about to get engaged, his ex-wife Prabhleen Kaur (Bhumi Pednekar) makes a dramatic return — suffering from retrograde amnesia after a car accident. She believes she’s still happily married to Ankur.
Advised not to break the truth to her suddenly, Ankur juggles between protecting Prabhleen’s fragile mental state and staying true to his relationship with Antara. What follows is a comedy of errors, emotional confrontations, and classic rom-com chaos as the two women fight for love — and the confused man stuck in the middle.
Direction – Mudassar Aziz’s Flavour of Fun and Familiarity:
Mudassar Aziz, known for directing films like Happy Bhag Jayegi and Pati Patni Aur Woh, sticks to his signature blend of humour, emotional confusion, and colorful characters. He brings his flair for lighthearted storytelling to this film, ensuring it never gets too serious even when things seem messy. However, while the first half breezes along with quick wit and snappy dialogues, the second half gets weighed down by clichés and familiar plot devices.
From pre-wedding drama in a scenic Scotland setting to competitive cooking and sangeet sabotage — the film feels like a throwback to ‘90s romantic comedies. Yet, Aziz’s direction ensures the pace is mostly lively, with well-timed gags and heartfelt moments sprinkled throughout.
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Stand-up comedian Harsh Gujral, making his film debut, is the surprise package of the movie. Playing Ankur’s best friend Rehan, Harsh delivers one-liners and punchy roasts with impeccable comic timing. His scenes bring the loudest laughs and give the film a much-needed edge, especially when the narrative gets repetitive.
Dino Morea also makes a suave cameo as Antara’s brother — a stylish addition who doesn’t do much for the plot, but certainly adds to the glamour quotient.
Music & Visuals:
The soundtrack is peppy and situational, with tracks like “Sajna Ji Shaadi” and “Tu Hi Toh Hai” fitting perfectly into the wedding-themed narrative. While the songs won’t top charts, they serve their purpose in moving the story along. The background score stays light and breezy, complementing the rom-com vibe.
Cinematography captures the picturesque Scottish locations beautifully, adding to the film’s dreamy, big-fat-wedding aesthetic.
Verdict:
Mere Husband Ki Biwi doesn’t reinvent the rom-com wheel, but it spins it just enough to make you laugh, smile, and maybe even reflect a little on the messiness of love and second chances. It’s a formulaic film, sure — but elevated by funny dialogues, a charismatic cast, and Mudassar Aziz’s easygoing direction.
While deeper emotional beats are glossed over and character arcs — especially Prabhleen’s — feel half-baked, the film still manages to entertain.
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